We’ve always chosen plays that are beyond our means. If we want to define the character of our group, that single sentence should do it. We have remained around for nearly 30 years now, in Kolkata, the cultural capital of India, and we have survived despite our dogmatic stand.
We are part of Theatron. We are part of a group that has never gone for numbers, that has always measured success by the aesthetic standards it has been able to set, and the extent to which it has been able to enthral and captivate and touch the people.
The group was formed in April, 1974. The first few years were spent in rigorous trainings to equip ourselves for the task ahead.
Our Productions -
Pratham Partho and Sankranti (Buddhadeb Basu) – 1978-1979
Tughluq (Girish Karnad) – 1979-1980
Tapaswi–O-Taragini (Buddhadeb Basu) –1981 AND 1998
Medea (Euripides) – 1983
Raja Lear (Shakespeare) – 1986
Sada Ghora -(Rosmersholm) - (Ibsen) –1988
Bisarjan ( Rabindranath Thakur) – 1990
Khelaghar- (The Time and The Conways ) - (J B Priestley) –1992
Asangato ( Salil Bandyopadhyay) – 1995
Tomar Andhar Tomar Alo – (The Gift of The Gorgon ) - ( Peter Shaffer) - 1999
Kaalbela ( A Man For All Seasons) – (Robert Bolt) – 2000-2001
Tomari Matir Kanya – ( The Trojan Women) - (Euripides) - 2002
Mrityumukhar Ek Dui – (The Man With The Flower in His Mouth / Ai Ladki ) - (Luigi Pirandello/Krishna Sobti) – 2004
Shey – ( The Woman in Black) - (Susan Hill/Stephen Mallatratt) - 2005
Bernarda Albar Bari - (The House of Bernarda Alba) - (Federico Garcia Lorca) - 2006
Our Directors -
Salil Bandyopadhyay
Saswati Biswas
Tuesday, March 27, 2007
Saturday, March 10, 2007
Director : Salil Bandyopadhyay
Salil Bandyopadhyay’s attachment with theatre dates back to the early sixties, while he was still in his teens. An English Honours graduate from Jadavpur University, and an MBA in Materials Management, Salil Bandyopadhyay left the trappings of a secure job very early in his career, and gave himself up to theatre absolutely. After forming his own group Theatron ( the Greek root of theatre) in 1974, he drew the attention and interest of the theatre lovers with the staging of Buddhadeb Basu’s Pratham Partho and Sankranti. His identity lies in the plays he has directed over a period of 35 years, and the articles he has written (and is still writing) on theatre. He refuses to acknowledge any other identity.
Director : Saswati Biswas
Friday, March 02, 2007
Thursday, March 01, 2007
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